The cut that never touches the original.
Studio is a real editor living where your recordings already are. Cut a two-hour meeting into the eight minutes a client should see, reorder a demo to lead with the good part, publish — and the original stays exactly as recorded.
Four parts from three sources: a crossfade, a muted Q&A entered through a fade to black, a wipe into the close.
Measured, not promised
We test the renderer against real ffmpeg output — frame colors, durations, silence windows — before anything ships. These are measured results, not marketing rounding.
0 ms
measured drift between the editor's arithmetic and the rendered file
±1 frame
cut accuracy — clips land on the frame you chose
−∞ dB
a muted clip renders digital silence, not quiet noise
1 undo
per human gesture — never per pixel dragged
The timeline as a list
Every part is a row: name it for its role, trim it by exact timecode, drag it to reorder, click it to jump there.
Publishing states its costs
Carrying the transcript through your cuts is exact and free — so it is the default, and the paid alternative says what it costs.
Publish "Client cut"
✓ Renders a brand-new recording — 8 min 12 s
✓ Transcript carried through the cuts, free
✓ Sources stay byte-identical, lineage kept
Edit without touching the original
A project is a document describing cuts over untouched sources. Publish renders a brand-new recording; the sources stay byte-identical, forever re-editable.
Cuts land on the frame you chose — the source is never touched.
Split, trim, reorder, duplicate
Split at the playhead with one key. Trim by dragging edges or by typing exact from/to timecodes. Drag to reorder on the strip or in the parts list. Duplicate a section to reuse it.
Crossfade, fade to black or wipe — previewed in place, overlap counted to the frame.
Mute and transitions
Silence any part while its video plays on. Add crossfades, fades to black or wipes at any cut, with durations from 0.3 to 2 seconds — previewed in place, and the timeline arithmetic accounts for every frame of overlap.
Mixed resolutions and framerates are normalised at render.
Combine anything
Pull any number of recordings from the library into one timeline — a meeting, an upload, a previously published edit. Mixed resolutions and framerates are normalised at render.
Name a part for its role; trim it by exact timecode.
Name the parts
Call a section "cold open" without renaming the source video for everyone else. Each cut piece names independently, and the names travel with the clips.
Words keep their original timings through every cut. No re-transcription bill.
The transcript follows the scissors
Publishing carries every surviving word through your cuts with its original timing — split utterances split, duplicated sections transcribe twice, muted parts drop out. Manual speaker fixes survive.
By topic, not by the clock.
Chapters authored on the cut
Write chapters against the edit while making it. Publishing an untouched video with new chapters updates the source instantly — no render, no cost.
A published edit is a real recording
It plays, streams, searches, chats, translates and exports like anything else, and links back to what it was cut from.